Sinethemba Hope Magona Likes This

This is my daily dose of Inspiration on Africa| Art | Photography | Fashion | Filmmaking| Poetry and Other things I Love!...

White men from prosperous families grow up with the expectation that our voices will be heard. We expect politicians and professors to listen to us and respond to our concerns. We expect public solutions to our problems. And when we’re hurting, the discrepancy between what we’ve been led to believe is our birthright and what we feel we’re receiving in terms of attention can be bewildering and infuriating. Every killer makes his pain another’s problem. But only those who’ve marinated in privilege can conclude that their private pain is the entire world’s problem with which to deal. This is why, while men of all races and classes murder their intimate partners, it is privileged young white dudes who are by far the likeliest to shoot up schools and movie theaters.

awawards:

Story of A Loud Mouth by Kylee Alvarez. Age 17. 2012 Regional Gold Key for Art Portfolio.
Words have power. They allow us to say what we feel, what we mean, what we aspire to be, what we want to change. Write On!

awawards:

Story of A Loud Mouth by Kylee Alvarez. Age 17. 2012 Regional Gold Key for Art Portfolio.

Words have power. They allow us to say what we feel, what we mean, what we aspire to be, what we want to change. Write On!

oakstreetstyle:

Magic moments | Photog Style | STRCRD 2012 | Johannesburg, South Africa
photo by OSS photographer: Fred Shavies

oakstreetstyle:

Magic moments | Photog Style | STRCRD 2012 | Johannesburg, South Africa

photo by OSS photographer: Fred Shavies

ghanailoveyou:

The Way I Dress: Mr Joshua Kissi (Interview)

”My name is Joshua Kissi, I’m one half of Street Etiquette, and I’m from the Bronx, New York.

My first memory of being conscious of style or fashion was in high school, furthermore than that, I think my parents inspired me, as far as being West African, they are from Ghana, seeing how they used to dress so elegant just to go to these events…that’s the first time I saw color and the way people express themselves - linking clothing to emotion. That’s when I think I got introduced to style…

My parents thought I was going to be a doctor, it is still kind of surreal to them that you can make a living or job or have some type of lucrative income off of just style or fashion - when I broke the news to them they were shocked..after a while…New York Times, GQ and everything, now they’re pretty proud.

I roll up everything, unless it’s like, you know, tuxedo trousers obviously or something more formal, I pretty much go by it all the time, no socks, roll up. Some people make fun of it, some people don’t like but hey! it’s your personal taste.

I would describe my style as just… I don’t know, I mean it’s hard to just give it a label or category ‘cause then I feel like I’m putting it in a box…sometimes Afro-dandyism, sometimes punk, a touch of prep, a touch of Americana…like an amalgamation of everything I’m interested in as far as colors, patterns, silhouettes and jewelry accessories.

My style is just style I wouldn’t put it in a category”

(via ourafrica)

dynamicafrica:

HASSAN HAJJAJ: KESH ANGELS

British-Moroccan artist Hassan Hajjaj captures the unique atmosphere and upbeat rhythm of north-African street iconography with great warmth and humour.

In this new solo show of photographs and installations, he pays tribute to the biker culture of the young women of Marrakesh – the ’Kesh Angels. Directing them in theatrical poses with their scooters, motorcycles and colourful outfits, he creates images that reflect their strength, style and street-smart attitude. In veils and djellabah, the ‘Kesh Angels respect a certain tradition, but their presence is defiantly modern. Hajjaj then juxtaposes these portraits with ephemera from the Medina in unique, handmade frames and bright, Pop-Art colours.

The highlight of the exhibition is an installation of Hajjaj’s customised motorbike, “881-Motobecane”: covered in fashion logos and kitscheries, it is the perfect symbol of the youth, independence, fun, sociability and sunshine of Morocco.

Hassan Hajjaj was born in 1961 in Larache, Morocco and moved to London in 1975. He now works in between London and Marrakech. He has established an international following for his photography, and was shortlisted for the Jameel Prize 2009 at the Victoria & Albert Museum, London.

He has had numerous solo and group shows in the UK and internationally, and also designs clothing, album covers (for Momo, Blur and Pino Daniele); hotels (Riad Yima, Marrakesh, 2006); bar-restaurants (Andy Wahloo, Paris 2003); and installations. His work is in the permanent collection of the Victoria & Albert Museum, London.

(source)

(via streetetiquette)